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Advanced Modes

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AE LOCK (Partial Metering)

You can lock the Exposure, recompose and refocus the picture, without altering the Auto Exposure (AE) setting.

EXPOSURE COMPENSATION

You can override the exposure set by the camera at the press of a button. This can be applied to darken or l ighten a picture as you choose.

MULTIPLE EXPOSURES
Several images on a single frame can be achieved by not advancing the film.

BULB EXPOSURE
Primarily for capturing night scenes, this mode exposes the film for as long as the Shutterbutton is held down, usually in excess of 30 secs. To avoid camera shake, a tripod and remote release are essential.

AUTO EXPOSURE BRACKETING (AEB)

In ‘contrasty’ situations you may be unsure of what the correct exposure ought to be . The AEB function will set a correct, under and over Exposure in chosen stop increments.

TAKING PICTURES

Seeing the light. The most crucial element of a good photograph is light, be it natural or artificial. The early morning and late afternoon light is usually better for it’s softness and shadow, the midday sun is harsh and bright and produces flat images. However, you should be aware of the effects of the changing quality of daylight - a passing cloud can alter conditions dramatically. That’s when you may need a burst of ‘fill in’ flash, either from your ‘on camera’ flash unit or by attaching a flashgun to the camera’s hotshoe. Flash will ‘fill in’ unwanted shadows or brighten a dull scene.
Most built in flash units are not powerful enough to light a night time scene and , due to the close proximity to the lens, tend to cause ‘red-eye’ (you know- those shots where your children actually look like little devils). To overcome these problems, a dedicated flashgun is recommended - used either on camera or off (via an attached ‘off shoe extension cord’) or with or without a diffuser. For indoor use, some flashguns have a ‘bounce’ facility which enables you to tilt the flash head upwards and ‘bounce’ the light off a ceiling. So now you’re inside ‘bouncing light off ceilings’ try some close up or macro work using your ‘off camera’ flash or ringflash.
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